Infinity Kappa 60 Bookshelf speakers

The small dimensions of the Infinity Kappa 60 from the very beginning do not mislead about the seriousness of the developers' intentions to achieve full-fledged sound. And the reason for this is not only the significant cost of the system, but also the completely "non-shelf" weight of the acoustic systems. In general, despite the small size, the pair looks very solid. The fact that a three-point support was used (there are three rubber feet on the bottom panel), apparently to improve vibration isolation, also indicates that there are no insignificant details for the system designers. With such solidity, it's hard to resist the temptation to immediately test the system with powerful bass.

And I must say, Kappa 60 did not disappoint, demonstrating non-trivial abilities in depicting quite significant low-frequency depths. The bass turned out to be elastic and dynamic, weighty and at the same time quite mobile. The consequence of being overly demanding would be to condemn the system for a slight loss of low frequency clarity at high (well above comfortable) volume levels. Only on the "cool" classics, this can adversely affect the completeness of the transmission of mid-frequency details. As for the "percussive" modern genres, even at levels close to nominal, no costs of free self-expression of the bass were noticed. Moreover, it is the good quality of low frequencies that makes it possible to definitely conclude that the small size of the speaker in this case is not a means to please those who, not wanting to clutter up the apartment with floor acoustics, are rather frivolous about different nuances of sound, but one of the effective ways to solve a number of important radiation problems. The adjective "juicy" successfully characterizes some originality of the sound images created by the system. At the same time, the acoustic system pays worthy attention to high-frequency details, in the transmission contrast of which the necessary measure is observed. The entire modern arsenal of sound generation tools, including the securely tinned vocal cords of the most desperate vocalists, is not constrained by either tonal or dynamic properties within the capabilities provided by the system. The details of the effects associated with the work of percussion instruments are very well transmitted, the relief image of which is highly accurate. Delicate both vocal and instrumental sound forms performed by Infinity Kappa 60 captivate with high transparency and airiness of the image. The advantages of small dimensions were manifested in a good organization of the stage space, and although it cannot be said that the acoustic systems are distinguished by low directivity, the stereo effect has a fairly high stability. Undoubtedly, Infinity Kappa 60 is a good option for a "multi-purpose" speaker system, for almost any room. The system quite correctly plays the classics, especially the chamber ones, the modern repertoire sounds great.