Amplifier Perreaux Eloquence 150i
Model 150i - the youngest in a series of integrated amplifiers Eloquence capacity of 2 x 150 watts into 8 ohms. But it is, perhaps, the only parameter that distinguishes it from the older 250 minutes, the rest of the service they have the same. I accidentally used the word - New Zealand engineers have provided everything to, among other things, their technique was most comfortable and convenient for the user.
Agree multiline LCD display - not the most common attribute integrated amplifier, and here it is not necessary for the beauty. The fact that Eloquence 150i has a full digital control, the choice of the source to adjust the volume and balance. To do this, enter the OSD menu and the buttons on the front panel to set the desired modes and parameters that will be written to memory. When turning the volume is reset to -40 dB, then gradually rises to a predetermined value. Just gently work and protection - in case of overload the system not only disables the speakers, but also activates the Mute. Conveniently, it is possible to establish the optimum sensitivity and balance for each of the five inputs, including one balanced XLR, and also to set the smoothness of the volume Fast, Medium or Slow. Do you want to limit the maximum level to someone in your absence accidentally burned speakers - and provided it. Configured and the parameters of the display, such as brightness, contrast, and the time after which it is deactivated. Provided with remote control systems Control4, AMX and Crestron via RS-232, and connect the optional power amplifier through an adjustable output Pre-Out.
Of course, the extended service - only addition to the audio path, which is not only a modern circuitry, but also a universal architecture. In Eloquence 150i integrated DAC is able to convert a signal not only to the coaxial (BNC) and optical (TosLink) inputs, but also via USB. Bit DAC 24 bit/192 kHz, and it works with upsampling. This module is optional, and there is a purely analog version of the amplifier.
Most of the internal volume occupies a disproportionately large in size and weight of a toroidal transformer installed in the center. Design symmetrically divided by channels, including the location of connectors on the rear panel. General only the control board and the DAC. Selecting sources by using small relays which are known to contribute less distortion than electronic switches. Filters separate supply for both channels, each of them a pair of 5600 uF capacitors. The output stages are built on the powerful field-effect transistors with high speed.
Remote control - light and compact, but the buttons on it is enough not only to control the basic functions, but also to navigate on-screen menus.
To start, connect the player to the balanced analog inputs and deliver high-quality collection of classical music. In the pauses between tracks silence, filling digital amplifier does not manifest itself. Pause between tracks filled breathing room due to what creates a natural backdrop for the music. Thanks subsonic components adequately transferred room volume and scale of the orchestra, and tutti amplifier literally brings down the listener an avalanche of sounds. It does not lose clarity, but sometimes it seems that musical events take place in a slightly slower pace, and the subconscious is trying to spur his usual comfortable feeling. Although it is a matter of habit - after a while it just cease to notice the fact. The main thing is that the sound does not lose intelligibility at high volume, and it is completely absent "transistor" taste. Triangle, cymbals - moderately bright, without pressure.
In the transition to the digital coaxial input sound is changing radically. Bass becomes deeper and faster, because of what the tonal balance shifts slightly down. Scene significantly adds to the depth, the general atmosphere is more saturated. Although slightly tense sibilance, which is especially evident in the ears restored recordings, in particular, the duo Fitzgerald and Armstrong. But the feed as a whole I liked more - there is a clear emotional component, the performers seem to get out to the front of the stage. It is clear that when dealing with the internal DAC of the tract excluded analog stages and cables, so the sound is perceived differently. The quality of the converter itself Eloquence 150i is quite high, so if more fully unleash nutrition digit and analog, the CD-player would not have needed, it would be enough of a decent transport.
